NALOT Dish, VANUATU, ÎLE D'ESPIRITU SANTO Wood... - Lot 45 - Giquello

Lot 45
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Estimation :
1000 - 2000 EUR
Result with fees
Result : 773EUR
NALOT Dish, VANUATU, ÎLE D'ESPIRITU SANTO Wood... - Lot 45 - Giquello
NALOT Dish, VANUATU, ÎLE D'ESPIRITU SANTO Wood with light brown patina H. 28 cm - L. 67 cm Vanuatu Nalot dish, monoxyl, called Rova. Used to make the traditional dish on the island of Espiritu Santo. Provenance: Collection Eugène Dodeigne, France Collection Eugène Dodeigne (1923-2015) A major figure in 20th century sculpture, Eugène Dodeigne is particularly known for his monumental works in stone with abrupt figuration and great expressive strength. An international artist, his works are now exhibited in the open air in several major cities such as Paris, Hanover, Basel, Brussels and Washington. Born in July 1923 in Rouvreux, a small village south of Liège, Eugène Dodeigne learns stone carving at a very young age from his father, who teaches him the rudiments of bas-relief before encouraging him to take drawing and modelling courses in Tourcoing. In 1943, he took the entrance exam for the Beaux-Arts de Paris and joined Marcel Gimond's workshop. He discovered the Louvre and the Musée de l'Homme where he spent many hours. In 1955, he adopts the blue stone of Soignies as his preferred material. Very much influenced by the work of Constantin Brancusi, he first sculpts in smooth and dense volumes. Informality attracts him just like Jean Arp's biomorphism, but he will never leave the figurative register. From the 1960s onwards, he favours the technique of exploded stone and opts for expressive figuration. His work, which is more stripped down, is imbued with the work of Alberto Giacometti and Germaine Richier. He exhibited in several Parisian galleries - Claude Bernard, Pierre Loeb and Jeanne Bucher - before being invited to Berlin, Hanover, Rotterdam, Brussels and Pittsburgh. In the 1970s, he took part in the development of the monumentalization of outdoor sculptures with the Group of Ten (Prouvost Foundation, Marcq-en-Baroeul) and received a series of public commissions. At the end of the 1980s, hi
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